Showing posts with label ghosts. Show all posts
Showing posts with label ghosts. Show all posts

Ghost Golf


Just heard the following from parapsychologist, Loyd Auerbach:

"Okay, here's a weird thing that's going to be controversial: Ghost Golf in Concord, CA, an indoor mini-golf course set in an effects-laden cemetery, is actually haunted. Owned by a friend of mine (who also designed the effects) who'd reported odd goings on in 2010 when he was building the place out. Activity not accounted for by the effects (neither the mechanisms or the programming) has been going on. A recent investigation -- video soon to be on the web -- with psychic Maria Lagana yielded some interesting info, an apparent contact, and most impressively some cooperation from the apparition (which we got on camera). When the video's ready to go, I'll post the links and an article on my website. In the meantime, real ghost or not, it's a cool place to visit (and play a round)."


http://www.ghostgolfconcord.com/home.html

The Wild Feast Of Sylvester

Profound and powerful magical charm that gets us drunk
in the present on the restored past!


Baudelaire - The Flowers Of Evil


A day originally named for pagan Sun-God or Forest Father, Silvanus and like so many other things, was usurped by Christians and stamped with the name of St. Sylvester, is celebrated on December 31st.

The word, sylvan comes from the Latin meaning "wood" or "wooded." Sylvester is also known as the Keeper Of The Woods. It is in his honor that a feast is celebrated with wild partying, drunkeness and the more magical aspects of protection and fertility rituals.

Branches are cut and woven into large circles to be placed on homes to protect the structure from fires in the coming year. Differing varieties of corn are mixed together with wild clover and fed to the animals to ward off witches. Stolen cabbages are fed to horses to ensure their good health in the new year. Finally, in hopes of making the fruit trees fertile, little sacks of peas are made to beat the trees with.

To maintain your own family's heath or predict it, numerous things can be done. Precisely at midnight if you put a broth made of wild pears on the threshold, death cannot enter your home. Plant oracles could reveal what the year will hold as well -"During Sylvester night, you put an evergreen leaf on a plate filled with water. If it remained green the following night, health could be expected the following year. But stains prophesied illness - and blackness - death itself." - Hiller 1989

Even in these modern times, all over the world with the first stroke of midnight, bringing in the new year, the air is filled with a cacaphony of noise from fireworks, to pot banging to gun shots. This is all done in order to frighten away the bad spirits, ghosts, demons and witches away. The noise was also expected to "wake up" the sleeping seeds below the earth.

I found this charming video created by some German youths, celebrating the "resurrection of the sylvan god!" in rituals, feasting (are those furry apples?!), and it even includes some stop motion animation - enjoy!

Die Auferstehung des Silvanus from Illusionen on Vimeo.



Photo by Andreas Praefcke

Beans Are Banned For Christmas!


"I want a feast...I want a bean feast!" Veruca Salt


No doubt, American fans of Willy Wonka recall Veruca Salt's outgrageous demands and have asked themselves, what exactly is a bean feast?

The Bean Feast, like so many other Christmastime traditions had it's roots in ancient magic and spells.

Beans, which were considered to be heavily influenced by Saturn, played a large role in Saturnalia celebrations and various ancient mystery cults in ancient Rome. These traditions were carried to other countries and cultures around Europe throughout the centuries. Practices reached their height during the Medieval era on the 12th day of Christmas, Epiphany - January 6th. During rituals to recognize the coming reawakening of nature, "Erotic Bean Feasts" were held, where there was an abundance of drinking, partying and sexing. Beans were considered so erotic and so strong an aphrodisiac they were outlawed in some places during the seventeenth century:

"Bean soup had a reputation for being so erotic that it was forbidden in the convent of San Jeronimo in order to prevent conditions that might result in indecent arousal. But that order no longer stands, since the nuns gave up that habit." - Allende, 1988

In the book, Beans, A History, (yes, seriously), author Ken Albala relates how beans were regarded as just big troublemakers all around and that Aristotle himself spoke out frequently against The Evils Of Beans. Aristotle wrote that beans are just like testicles and that they are, a gateway to Hades. The proof? It is the only plant that has no joints.

It didn't help matters when Porphyry went around telling everyone about that time Pythagoras did that magic trick where he planted some beans in a pot and ninety days later they looked exactly like a ladies' downstairs mixup....which then transformed into a human head that was for sure someone's poor soul caught in transit.


There are so many crazy claims attached the the poor bean - such as, if you bite a bean and leave it in the sun it will smell exactly like the blood of a murdered person, (there's a difference?) Or the belief in it's magical powers of warding off ghosts - in some places around the time of the winter solstice the male head of household would emerge from the home, barefoot and toss beans around the house while repeating nine times, "Shades of my ancestors, depart," while they rest of the family banged on pots and pans and stomped on the ground. This was all done to protect the family from ghosts who were there to snatch the souls of the living. The beans were believed to hold souls and were thrown out as a decoy in hopes the soul hungry ghosts would be satisfied with the beans and leave the family alone.

The modern day bean feast has transformed quite a bit. Although plenty of drinking and revelry is a hallmark, the bean really only plays into the feast by way of being baked into a cake. A cake is made for the feast containing a single bean. Whoever in the party gets the piece of cake containing the bean is awarded the title of "Bean King" and must preside over the evenings festivities.

This painting by Jakob Jordaens created around 1645 shows a bean feast in full swing - note the exposed chesticle of one guest and the guy vomiting on the left. Clearly, the bean feat was a good time.

Creepmas Gifting

Since most of you gentle readers have an avid interest in "the paranormal," the following documentary on DVD, may make an ideal gift for a number of people on your list..or even you.

NIGHT STALKERS - Southern California Paranormal Investigators

Filmmaker, Wayne Poe harbored a childhood interest in the paranormal cultivated during the heyday of shows like Unsolved Mysteries and In Search Of. As he grew up he says, “I pretty much thought it was all nuttiness,” that is until a childhood friend began to have his own paranormal experiences. Unable to dismiss his friend’s typically grounded and rational views, Poe then spent the next year immersing himself in the culture of Southern California paranormal investigation.

Poe got a lot more than he bargained for. “I was intrigued by their methods and philosophies on ghost hunting,” he says. “I was escorted to well known haunted locations in Southern California, as well as residences the ghost hunters attempted to rid of their own spirits.”

The first residential investigation is documentary gold, akin to something out of American Movie. The first team arrives at the home of a client, where the two lead investigators inform her that the spirits are watching them. Poe cuts to an interview with the team post investigation where the lead investigator informs us she “Knew exactly what to do,” since she and her colleague astral projected to the house prior to their physical arrival. Cutting back to the investigation, the encounter gets more and more incredible with tales of a dead woman in the closet, a ruthless killer in the basement, vortexes, a disembodied attack and the requisite demons. As if that weren’t enough, Poe is pulled aside and asked to turn off his camera so they can reveal this shocker – one of them is not entirely human! “I thought I was being pranked,” he says. Through it all, everything is caught deftly on camera, evoking the feeling that you are right there - in the center ring of this circus.

Of course, not all of the film is populated by “investigators” or psychics of this ilk. If you watch any of the para shows on TV regularly, you will surely see a number of familiar faces. In the many interviews that appear throughout the film there is an undercurrent of sincerity and longing for understanding. One investigator even goes so far as to state “People need to be ready to accept that what we are doing is not proof of anything.” Others passionately state they know paranormal occurrences “are real.” Poe’s chosen subjects thoughtfully address the topics of frauds, fakery and admit to a lack of understanding.



The viewer is given the opportunity to go inside real investigations in historical locales, businesses and private residences with teams and individuals that display a wide variety of techniques and philosophies, from high tech to low teach. Maybe most importantly, Night Stalkers provides far more interesting and compelling occurrences and possible paranormal accounts than you’ll ever see on TV. Of course, there’s a paranormal themed conference or two, one of which ends up being the foundation for a story arc within Night Stalkers, when the local team of skeptics from the Center For Inquiry infiltrate an event called So Cal Para Con. Mark Edward, a performing mentalist and skeptic says, “Let’s say you could talk to a dead spirit – which is ridiculous…it would rend the fabric of reality in two and its just not happening.”

Its not only interesting to watch these small stories unfold during the course of the film but, for me the most compelling is that of Poe’s, who as I mentioned began this venture with the opinion that “..it was all nuttiness.” Yet, toward the close of the film things begin to pull him into the investigations he’s filming…even when he’s not there.

Thought provoking, funny, poignant and entertaining, Night Stalkers gives you what the TV shows won’t.


THE NIGHT STALKERS DVD IS NOW AVAILABLE. $15.00 + $4.00 S/H
Send your shipping name and address to: mrwpoe@gmail.com

The Christmas Spectre of Clarence Street


Humphrey Brooke, a fifty year old, well respected physician and life long bachelor was not what most would find physically appealing. He was shorter than average and his extremely stooped shoulders didn't help. At the end of his long, crooked nose sat a pair of spectacles and to add to these he was asthmatic and quite socially awkward.

Dr. Brooke was the opposite of twenty year old Felicia Clayton. Felicia was the belle of Liverpool - a stunningly beautiful, kind and charming young daughter of a wealthy shipping magnate. It could be said that Felicia was the Scarlett O'Hara of Liverpool - she could have the heart of any man and was inundated with love letters, gentlemen suitors and proposals of marriage.

The pair first met at a funeral, when Dr. Brooke was introduced to Felicia. He was overwhelmed by her beauty and kissed her hand. He stared at her during the rest of the funeral and she responded by smiling at him a couple times.

Dr. Brooke caught sight of Felicia around town a couple times after this, once when she was coming out of a carriage and again as she walked down the street with a suitor. This second time, while in a suitor's company, she saw Dr. Brooke and waved to him, but not only did she wave but looked back over her shoulder twice to smile at him. The suitor became jealous and reprimanded her.

Dr. Brooke's infatuation with Felicia was now at it's peak. He hurried home and began to keep a journal of his feelings for her and detailing in it, his plans to win her heart.

When the Christmas season came around and Dr. Brooke received an invitation to a lavish Christmas Eve ball, he took the opportunity and lovingly crafted a letter to his beloved Felicia, asking her to attend the ball with him.

She accepted.

Some days later, a friend of Dr. Brooke's, well known womanizer Charles Wilson, came to visit him. During their visit, Wilson asked if Dr. Brooke had any plans for Christmas Eve as he wanted company at a local pub for that evening. He was certain his awkward and unattractive companion would be alone, as usual. To his surprise, Dr. Brooke informed him that he did indeed have plans, ones that involved the most sought after woman in the city.

Wilson was not only shocked but also very jealous. He, too had tried his charms on Felicia - to no avail. Wilson expressed his disbelief and was trying to talk Dr. Brooke out of what he called his "fantasies" when a woman burst in informing the doctor of a medical emergency and it necessitated his immediate attention. On the way out the door, Dr. Brooke produced Felicia's letter of acceptance to the ball and handed it to Wilson.

Angry and more jealous than ever, Wilson started going through Dr. Brooke's belongings and discovered the journal wherein his "friend" had disclosed all his feelings, hopes and dreams for a future with Felicia Clayton. Vindictive and nasty Wilson went home and proceeded to author a letter to Felicia's father. In it, he disclosed their plans for the ball and made his "friend" look as bad as possible, including implications that Dr. Brooke was not only old, unhealthy and a bad catch for any woman let alone the most eligible girl in town, but that he was also mentally unstable.

Mr. Clayton received Wilson's letter, and wrote one of his own to Dr. Brooke.

Come that Christmas Eve of 1910, Dr. Brooke dressed in an expensive and elegant long, purple velvet coat and embroidered waistcoat and fashionably long, narrow trousers. He smoked a pipe and waited until the time finally came to see his dearest when a knock came at the door with a boy delivering the letter from Mr. Clayton. In it, Clayton lied and said Felicia had accepted his invitation out of pity and that she wanted nothing to do with Brooke. The letter closed with the following:
"It is of utmost impropriety for a man of fifty to be indulging in romantic delusions about a girl thirty years his junior. I warn you to cease annoying my daughter and act with the dignity befitting your age and station. If you persist in trying to win her attentions, it will be at great social and professional cost to you."

Following the reading of the letter Dr. Brooke, devastated and completely distraught died of a heart attack hours later. As he fell to the floor, he took down a clock on the mantelpiece with him. When the clock crashed to the floor it broke and stopped at Dr. Brooke's time of death - 10:50 P.M. I guess you could say he quite literally died of a broken heart.

It is said that Felicia ignored her father's commands and went to the ball to look for Dr. Brooke anyway. It seems she was quite touched by his letter. When she could not find him, she left the ball - much to the dismay of the males in attendance.

Since then, it is believed that the spirit of Humphrey Brooke haunts the house on Clarence Street each Christmas Eve. There are strange rappings, an angry voice that curses and cries out from within. Many a passerby has claimed to have seen a man, around fifty years old dressed in Victorian era clothing wandering on the street outside the house.

First State Asylum For The Insane

Opened in 1900, just outside of Minneapolis, MN. This facility was the first in the state created exclusively for the "care" and housing of "the insane."


Architect, Warren B. Dunnell, designed the gothic, brick "cottages" in light of the fires which claimed 18 lives at nearby St. Peter State Hospital. A vast system of underground tunnels connect the many cottages, used by the staff to conduct the day to day workings of the asylum. There are many stories of patients who tried to escape via the tunnel system. Finding themselves lost, confused and scared they would often commit suicide by hanging themselves from the pipes overhead.



It is no wonder that reports of unexplained noises, whispers and laughter have been reported in the tunnels. Footsteps are heard when there is no one there and cold spots are often felt.

The asylum is still in use today, although much of it is abandoned. A lush and idyllic spot with woods surrounding one area and a river running along the rear of the facility, the property also has it's own cemetery, to bury it's unclaimed and unwanted, which Mr. Blackwood and I searched in vain for. We did venture around the rear of a cottage near the outskirts of the facility and ran into a number of inmates sitting outside in a fully enclosed, cage-like patio. We rapidly turned back, unnoticed.


Stories like this one about a Lady In Red also pop up often from both ex-inmates and workers there: "I use to work at the state hospital, and let me tell you, the mystery of the women in red in the tunnels is so true. We use to walk pt's. thru the tunnels to get to the other buildings when the weather was bad, and lights would flicker and yes you could hear moaning at times, and in your peripheral vision, you would see some woman running and could only catch a glimpse of her. Ask anyone who ever worked there years ago..."


Pictured above is one of the many entrances to the underground tunnels.


Spotted on the 3rd floor of a cottage - not what you'd want to see in a patient's room.

Haunted Houses



Corrine May Botz's body of work is fascinating. I've posted about her Nutshell Studies Of Unexplained Death earlier this year. She is a storyteller, of sorts - through her photography, film and in this case oral collection of ghost stories. Of the collection, Botz says:

The series was inspired by turn of the century spirit photographs and Victorian ghost stories written by women as a means of articulating domestic discontents. In being the medium through which the spirit of these houses was recorded, I continued the tradition of female sensitivity to the supernatural.

Haunted Houses provides a unique way of understanding our relationship to the spaces we inhabit, and reflects romantic and dystopian notions of the domestic realm. The notion of hauntedness activates and highlights the home, revealing the hidden narratives and possibilities of everyday life.

Haunted Houses includes an archive of first-hand ghost stories. The stories were collected on location and over the phone. They range in length from a few minutes to an hour. The voice is captured much like the space. Both image and text are haunted by absence, history, memory, and the possibility of never being seen or heard. Unlike the majority of horror films where the ghosts arrive as a result of an inopportune death, or to right a wrong, the inhabitants of these houses are often at a loss for why the ghosts are there, and in some cases the ghost is considered a source of comfort.


The photographs: http://www.corinnebotz.com/Corinne_May_Botz/Haunted_1.html


The stories: http://www.corinnebotz.com/Corinne_May_Botz/Stories.html

The Triangle Shirtwaist Fire - March 25, 1911



On March 25th 1911, now a century ago, just one block north of Washington Square at the corner of Greene street and Waverly, Mrs. Lena Goldman was sweeping the sidewalk in front of her little restaurant – it would soon be time for the dinner rush.

Dr. Winterbottom, who lived nearby, looked out over the square to observe people running toward Washington place. Moments later with his medical bag in hand, he too joined the fray racing across the square.

Dominick Cardiane was pushing a wheelbarrow down Greene Street when he heard a sound like “a big puff” followed by the sound of breaking glass. The noises spook a horse, who rears up and proceeds to run down the street, the cart it was pulling bouncing wildly behind.

William Shepherd, a reporter for the United Press, was crossing over to Washington Place when he saw smoke pouring out of a window on the 8th floor of the Asch building. Shepherd was soon standing among many others on the street below.

They all saw what looked like a bundle of fabric from the garment factory come out of the window. “He’s trying to save the best cloth," remarked a man, thinking that the factory owners were tossing out their fabric in an attempt to save it.

Halfway down, the wind caught it and the bundle opened. It was not a bundle – it was a girl.



The Triangle Shirtwaist Factory, manufactured shirtwaists for ladies – located on the 8th and 9th floors of the Asch building the factory employed approximately 100 men who mainly filled supervisory positions and 500 women and young girls. The majority of the girls were immigrants. Pauline Newman, who came from Lithuania and worked at the factory stated, “It resembled a kindergarten: we were all youngsters. The day's work was supposed to end at six in the afternoon. But, during most of the year we youngsters worked overtime until 9 p.m. every night except Fridays and Saturdays. No, we did not get additional pay for overtime. I will never forget the sign which on Saturday afternoons was posted on the wall near the elevator stating -- "if you don't come in on Sunday you need not come in on Monday!"

They were the kind of employers who didn’t recognize anyone working for them as a human being. You were not allowed to sing. You were not allowed to talk to each other. They would sneak up behind you, and if you were found talking to your next colleague you were admonished. If you’d keep on, you’d be fired. If you went to the toilet, and you were there more than the forelady or foreman thought you should be, you were threatened to be laid off for a half a day, and sent home, and that meant, of course, no pay, you know? You were watched every minute of the day by the foreman, forelady."


The girls started work at 7:30 in the morning and were given a single half an hour for lunch. Another employee of the Triangle factory described their conditions as “unsanitary - that's the word that is generally used, but there ought to be a worse one used. Whenever we tear or damage any of the goods we sew on, or whenever it is found damaged after we are through with it, whether we have done it or not, we are charged for the piece and sometimes for a whole yard of the material.
At the beginning of every slow season, $2 is deducted from our salaries. We have never been able to find out what this is for.”

There was an area of the factory called “the children’s corner” which housed large cases that were were high and deep enough for the children to hide in, so that when a factory inspector came he found no violation of the child labor law, because he did not see any children at work, for they were all hidden in the cases and covered with shirt waists.

It had been a Saturday that day and most of the women and men employed at the Triangle Shirtwaist Factory had been kept working until just before 5 o’clock, by factory owners Max Blanck and Issac Harris. Just before quitting time, as the girls were gathering up their belongings to leave someone yelled “FIRE!”

Someone had carelessly discarded a still burning match or cigarette. With piles of fabric everywhere and completed shirtwaists hanging from lines just overhead, within a few short minutes the fire had turned into an inferno, flames and smoke pouring out of the 8th, 9th and 10th floors.

Since the building was considered fireproof there was only a single, flimsy fire escape, one working elevator and all the doors, which opened inward, were kept locked in an effort to prevent theft. All of the Triangle factory employees were subject to searches when they exited at the close of the work day.

The foreman and a number of the male employees did their best to douse the flames with the available water buckets, alas, it was to no avail.

A few were able to escape via the narrow stairwell. Some 200, including Blanck and Harris were able to get to safety by making their way up to the roof – a means of escape not widely known.

Heroic elevator operators were able to save some of the girls by making as many trips as they could before the elevator broke down. The picture of smoldering, terror stricken girls - crying, screaming, scratching would haunt them always.

When the elevator finally ceased operation a number of people tried to escape by sliding down the elevator cables but instead, fell to their deaths, while others simply jumped. Some 25 bodies were later recovered from the bottom of the elevator shaft – only two survived. It is believed that the dead bodies of their fellow co-workers cushioned their fall, allowing them to survive. On the final trip, elevator operator Joseph Zitto would later testify that he could hear the bodies falling, hitting the top of the car – then the blood and the coins from pockets and purses began to rain on them.

Outside, if you remember, was United Press reporter William Shepherd. It was through his eyes that most of the nation experienced the next eighteen minutes. Shepherd phoned in details while watching the horrific events unfold, while young Roy Howard telegraphed his story to the nation's newspapers.

Shepherd begins – “I saw every feature of the tragedy visible from outside the building. I learned a new sound--a more horrible sound than description can picture. It was the thud of a speeding, living body on a stone sidewalk.

I looked up-saw that there were scores of girls at the windows. The flames from the floor below were beating in their faces. There was a living picture in each window- screaming heads of girls waving their arms. We cried to them not to jump. We heard the siren of a fire engine in the distance. The other sirens sounded from several directions.”


However, when the fire trucks arrived their ladders only reached between the 6th and 7th floors and the water from the fire hoses not past the 7th floor.

They took out fire nets to catch the falling girls but their bodies only broke through the nets, crashing to the sidewalk.

Shepherd continues: “I looked up to see whether those above watched those who fell. I noticed that they did; they watched them every inch of the way down and probably heard the roaring thuds that we heard.
It seemed to me that the thuds were so loud that they might have been heard all over the city.

As I looked up I saw a love affair in the midst of all the horror. A young man helped a girl to the window sill. Then he held her out, deliberately away from the building and let her drop. He seemed cool and calculating. He held out a second girl the same way and let her drop. Then he held out a third girl who did not resist. They were as unresisting as if he were helping them onto a streetcar instead of into eternity. Undoubtedly he saw that a terrible death awaited them in the flames, and his was only a terrible chivalry.

Then came the love amid the flames. He brought another girl to the window. Those of us who were looking, saw her put her arms about him and kiss him. Then he held her out into space and dropped her. But quick as a flash he was on the window sill himself. I saw his face before they covered it. You could see in it that he was a real man. He had done his best.

We found out later that, in the room in which he stood, many girls were being burned to death by the flames and were screaming in an inferno of flame and heat. He chose the easiest way and was brave enough to even help the girl he loved to a quicker death, after she had given him a goodbye kiss. He leaped with an energy as if to arrive first in that mysterious land of eternity.

Up in the [ninth] floor girls were burning to death before our very eyes. They were jammed in the windows. No one was lucky enough to be able to jump, it seemed. But, one by one, the jams broke. Down came the bodies in a shower, burning, smoking-flaming bodies, with disheveled hair trailing upward. They had fought each other to die by jumping instead of by fire.”

Rescue efforts were happening all over –
Across the way at New York University’s Law School building several law students led by Charles Kremer and Elias Kanter tied two short ladders together so the factory workers could climb across to their building’s roof. Kremer went over to the 10th floor to look for survivors and found a single girl, her hair on fire, running toward him. He caught her in his arms where she fainted as he put out the fire with his hands. They were able to save some 150 men, women and girls that day. Shockingly, a number of law students reported witnessing men kicking, biting and beating the women and girls so they could escape to safety first.

Forewoman, Fannie Lansner was a calm presence, speaking both Yiddish and English to the girls who were huddled about her, all crying and screaming, Lansner guided some of them down the stairways and kept others waiting for the elevator Trip after trip the elevator made and Miss Lansner remained on the floor, and though several girls begged her to go with them down, Miss Lansner said she would be ‘all right,’ and told them to go out as quickly as possible. She would lose her life in the fire.

Dr. Ralph Fralick did want he could from the street, checking everyone he could after they struck the pavement, attempting to administer first aid or injections for pain when possible. He later told officials that he was not able to save anyone, but he felt he had helped a few young girls to pass with a bit less pain.

Three male cutters formed a human chain from the 8th floor window to an adjacent window next door. Some girls were able to cross over on the backs of the three men. But the men lost their balance and all three fell - to join the already growing number on the pavement.


Meanwhile, the girls kept jumping….

Five young women on the Greene street side embraced each other and jumped. Thay crashed right through the sidewalk and into the basement, their clothes and hair burning as they fell. Another group of girls grabbed onto an electric cable which could not hold them – it snapped and they all fell to the sidewalk below.

One girl jumped holding a fire bucket. Another one tossed her purse, her hat and then herself. Some jumped together, holding fast to one another, while others lept alone.

Broken, twisted bodies lay in heaps on the sidewalks and by now there were thousands of spectators behind the police lines unable to believe what they were witnessing.





The firemen were now able to enter the building with their hoses to extinguish the flames. The steel and concrete structure was undamaged -- for the Triangle Building itself did indeed prove to be fireproof. Firemen would later say that they found 19 bodies melted against the locked door. 25 were found huddled in death in the cloakroom trying to escape the flames, some with their hands covering their faces in death. Another group of girls was discovered in a small room and would not move to safety so in shock they were the rescuers had to beat them to safety.

As night began to fall, search lights were directed to the upper floors creating a chilling effect to the already grim sight. Using nets, the firemen lowered the bodies, out the window to the waiting police below. The nets were soon exhausted and blankets from the driver's seats the horses were used. The bodies were spread in a row on the east side of Greene Street, many of them in coffins. Only 65 coffins were available so the steamship, The Bronx, was sent to Blackwell's Island to bring down a supply of 200 additional coffins.

Throughout the night ambulances transported the dead bodies to Bellevue Morgue on 26th Street and to the adjoining pier on the East River.

A reporter from the new york times remarked – that the “remains of the dead, it is hardly possible to call them bodies because that would suggest something human, and there was nothing human about most of these, were being taken in a steady stream to the morgue for identification.

Police estimates of 200,000 people - family and friends as well as the curious entered the makeshift morgues to file past the coffins. Authorities were completely unprepared by the new horrors to come next – a growing number of victims loves ones became hysterical and suicidal and a makeshift hospital was created to attend to these poor people.

Unbelievable stories of anguish were shared by families – a mother identified her daughter by what remained of her hand stitched stocking; a girl was identified by a family ring burned into her flesh; a father who, after waiting in the line for five hours identified all three of his daughters and, grief stricken attempted suicide on the spot. A lady identified her fiancée by his ring. When she asked if a pocket watch had been found with his remains the watch was produced. When she opened it she gazed upon her very own portrait and became hysterical. Their engagement had taken place just the night before.




Then there was the nightmare for those who did survive - Rose Cohen having escaped the fire and made her way home said, "I couldn't stop crying for hours, for days. Afterwards, I used to dream I was falling from a window, screaming. I remember I would holler to my mother in the dark, waking everybody up, 'Mama! I just jumped out of a window!' Then I would start crying and I couldn't stop."

Isidore Wegodner escaped from the ninth floor, where he and his father had come to work four months earlier as sleeve setters. He was near an exit when he heard the first cry of fire and had no difficulties reaching the street. Unaware of the extent of the disaster, he had left his father behind. Only when he emerged into the body-littered street did he realize what was happening. The firemen stopped him when he tried to rush back into the building.

He raced home but his father was not there. He began to make his way back to the Asch building to find out where the morgue was located. He missed a train by seconds and stood on the platform breathing hard, watching another pull in on the opposite platform.

"I saw him come out of the train, my dear father who was a quiet man, a dignified man. He looked battered. His pants were torn and in places his flesh showed through. His hat was gone, his face was dirty and bloody. On top of it all he wore a fancy, clean jacket that someone had thrown around his shoulders because his shirt had been ripped off. He stood on the platform dazed and the people walked around him."

"I remember," says Isidore Wegodner, "how with my last strength I shouted to him, how I went tearing over the little bridge that connected the two platforms, how we fell into each other's arms and how the people stopped to look while sobbing he embraced me and kissed me."

An entire nation grieved over the 148 deaths, so easily preventable. Their collective outrage changed labor laws and to the adoption of fire safety measures. Many call it the day the New Deal was born.

The factory owners, Blanck and Harris were brought to trial and were found not guilty by a jury of their all male peers. They made some $60,000 off the tragedy. Some of the families rallied together and sued the pair, in the end they were compensated $75 a piece in exchange for their dear, loved ones.

Just two years later, Blanck was caught violating the fire codes – he had been locking the factory doors. He was fined $20.00.


The Asch Building is now The Brown Building and houses the science department at NYU – it is said to be haunted not only by the memories of that day but by the spirits of those who perished there.

People have frequently reported the smell of smoke lingering in the hallways as well as the odor of what can only be described as burning flesh. Doors which have just moments ago been locked are found unlocked. One wonders if spirits are trying to protect others from the horrific fate they suffered? Apparitions have been reported by some and out of the corner of people’s eyes they sometimes see something large fall past the windows. When they rush to the windows and look outward and downward, there is nothing there.

One story was related by a secretary who had worked in the building for a number of years. She had been working late one evening and as she walked out of the building she saw a young girl stagger past her, a dazed look on her face. The girl was dirty and her clothing seemed to be singed. The secretary called out to her but the girl turned the corner. Rounding the corner in an effort to help what she believed was an injured girl, the secretary found no one. The girl had vanished.

Rest in peace dear ones – you have not been forgotten, not even in the passing of a hundred years. Blessings on your way.

Messages From Abe?

A year, or so, later I am realizing I never did post the video that went along with the Haunted Homework story. Here is the story in case you missed it: http://merricatblackwood.blogspot.com/2010/02/haunted-homework-part-iii.html and the video from one of our cameras, to boot!

The Fox Sisters - Part 1



The rappings and strange noises seemed to be completely mysterious in nature. It was especially unnerving to Mrs. Fox, who had moved into the little house in Hydesville, New York with her previously estranged husband and three children only weeks prior – it was the winter of 1848.

The rappings continued, with more frequency. First at night, then, spilling over into the waking hours, from the floor, the walls, the furniture – or anywhere the Fox girls happened to be.

14 year old Margaret and her sister, 11 year old Kate began to engage in a discourse...with the dead.

One night in March, Kate called out “Here Mr. Splitfoot, do as I do,” and knocked a number of times on the floor. Mr. Splitfoot obliged by responding with the same number of raps. It wasn’t long before the Fox’s had devised a method of communication with the “spirits.” And soon, a horrible story was revealed – that of a salesman who was murdered by having his throat cut with a knife then, buried in the cellar of the house.

Neighbors were invited in, people fishing at the nearby creek and all of them heard the same series of questions and answers. Many more came throughout the night, for word spread fast in the little town.

Mrs Fox composed an affidavit recounting the story of the rappings, saying: ” I am not a believer in haunted houses or supernatural appearances. I am very sorry that there has been so much excitement about it. It has been a great deal of trouble to us. It was our misfortune to live here at this time; but I am will and anxious that the truth should be known, and that a true statement be made. I cannot account for these noises; all that I know is that they have been heard repeatedly, as I have stated. I have heard this rapping again this morning, April 4th. My children also hear it.”

Mr. and Mrs Fox were frightened. They and the people who witnessed these rappings and exchanges were all convinced the Fox girls possessed an incredible power – they were also convinced there was a ghost in their house. So, Margaret and Kate were sent to live with their older sister, Leah, a 33 year old single mother who lived in Rochester, New York. Leah had just read The Divine Principles Of Nature – a book wherein the author claimed the dead were in daily contact with the living and predicted that someday the truth would be known to us through a living demonstration. Leah had just found her “living demonstration.”

Under Leah’s management, Margaret and Kate were soon in high demand to conduct séances. Once guests arrived they would seat themselves around a table, recite a prayer, sing a bit then, either Margaret or Kate would fall into a trance.


On November 14th, Rochester’s largest Hall, seating 400, was rented out. The local paper, the Daily Democrat, reported that those in attendance were in the best possible humor, ready to be entertained and watch Fox sisters be exposed for perpetrating a fraud. This was not the case and, in fact, the paper later reported that the “ghost” was indeed there.

There was some who refused to let it go and demanded an investigation. In result, Over the next few nights at the live demonstrations, the girls were subjected to being placed on glass, on pillows, their feet placed in shackles and probed by a subcommittee of ladies to search their bodies for concealed machinery. Of course, nothing even remotely suspicious was ever discovered. On the final night of performances a barrel of hot tar that had been hidden was discovered and removed, the non- believers lit fireworks inside and attempted to storm the stage – the Foxes were taken to safety by the police.

All this publicity ensured that theaters showcasing the Fox sisters were sold out. They began receiving invitations from some of New York’s most illustrious citizens to hold these – “conversations through the veil” for them. The girls were bone fide celebrities – there was even Fox Sisters merchandise! People would wait in line for hours for a chance to see these two young mediums. For a chance to hear something, anything from a loved one who had left them behind.

Walk Among The Dead




This is your chance to get inside the 100 year old historical landmark - normally closed to the public. The property is considered one of the most haunted locations in the world and has been the featured subject on a plethora of paranormal related TV shows.

Join the Boyle Heights Paranormal Project for a lecture on the fascinating history of Linda Vista Community Hospital hospital- of course we'll be including the site's paranormal history. We'll even play you some of the EVPs that have been captured here. Guests will then be led on a tour of Linda Vista by some of the most well known and respected paranormal researchers in the Los Angeles area. Along the way they will demonstrate various tools and techniques paranormal investigators use and you will get a chance to participate! You will also get to hear first hand the experiences from the investigators who have spent countless hours in Linda Vista's darkend hallways.

There will be the obvious rules and regulations if you are intoxicated in any manner you will be bounced by security, plain and simple. You may bring your cameras, however, there will not be any video/filming permitted unless you use your cell phone to do so.

$20.00 per person - arrive promptly - bring a small flashlight -dress warmly - no one under the age of 18 will be admitted. NO SNAPPERS.


Linda Vista Community Hospital
610 S. St. Louis St.
Boyle Heights, CA. 90023
Saturday, December 18th 2010
7:30 PM
$20 per person




*Photo by Ransom Riggs from the Mental Floss blog.

American Spirit: A History of the Supernatural


I enjoyed this episode of the Backstory:The American History Guys I thought I'd share.

Halloween – despite its solemn Celtic roots – has become a safe way for Americans to transgress social norms and toy with the idea of ghosts in a family-friendly fashion. But for some, spirits from another plane have always been a very real part of life on this plane.
http://backstoryradio.org/2010/10/american-spirit-a-history-of-the-supernatural/

You get to hear a partial story about the Fox sisters, but you can listen to the entire story on one of my favorite podcasts, The Memory Palace, right here:
http://thememorypalace.us/2010/03/episode-27-the-sisters-fox/

Evil Children, Monsters and Ghosts - Oh My!



Just then a young boar came dashing by, and the huntsman stabbed it to death. He took out the lungs and liver and brought them to the queen as proof that the child was dead. The cook was ordered to boil them in salt, and the wicked woman ate them and thought that she had eaten Snow White’s lungs and liver.

Singing mice and poofy dresses are surprisingly absent in real fairy tales. Instead they are rife with monsters, deceit, cannibalism, murder. Real fairy tales belong to the horror genre.

*****

About four years ago I was aimlessly channel surfing. Of course, with hundreds of choices I couldn't find anything worth watching. I would often scan past the Korean channels, noting the curious titles of the programs - Mom's Dead Upset, The Coffee Prince, Pretty Lady Chit Chat, My Precious You. This day I finally settled on some program called Mom's Dead Upset and found it to be far better than anything on American television. So began my adoration of Korean tv.

Fast forward to the now. I'm not sure how I found it - maybe it was this trailer commercial on KBS or perhaps I just turned it on one day this past summer. Either way, Grudge: Revolt Of Gumiho mini-series, is currently consuming my life.



A traditional Korean fairy tale concerning a Gumiho, (or Kumiho) is the foundation for this historical drama. Propelling the story is the nine year old daughter of nobility, who is described as being cursed and suffers a "strange disease." The father is told the only cure to save his beloved child, Cho Ok, is to "... find the child born the same year, same month, same day." When this child turns ten years old, his daughter must eat the liver of the child in order to live.

Evil children, monsters, ghosts, zombies, cannibalism, possession - Grudge: Revolt Of Gumiho has it all , against a lush backdrop of period costumes, beautiful scenery, wonderful FX, an unforgettable soundtrack and some of the greatest acting I've ever seen anywhere.

This show and the horrific, yet achingly beautiful imagery depicted in Gumiho is something American tv or film would never touch, and even if we attempted it, it would not be done with so much depth and beauty. There are so many moments of visual horror in this series that will haunt me for years to come - not to mention the emotional horror evoked. I do not get emotional easily - there are only three film moments that can elicit tears from me, yet I was sobbing on my couch and clutching at poor Mr. Blackwood during more than one episode.

We were like children during our Gumiho viewing marathon yesterday, gasping and yelling out loud - jumping up on the couch and yelling "OHMYGOD!!!" - Mr. Blackwood says he can only compare it to Lost or Star Wars in it's epic storytelling style and I have to agree. We have two episodes left - I cannot bear for it to end.


All Hail The Queen

I recently watched some footage captured by a paranormal research organization I highly regard, the American Paranormal Research Association. It has been one of those few pieces of possible evidence that I cannot explain away, nor can I forget about it.

A.P.R.A founder, Brandon Alvis, was kind enough to elaborate on the story behind this footage., captured on the RMS Queen Mary, in Long Beach, California. "The video was collected by myself and my wife in the winter of 2008. We were conducting an EMF sweep of the changing stalls, when the footage was taken. The only people present in the First Class Pool was Melissa, a security guard and myself." It was almost three months before they discovered the footage.

Alvis' constant striving to adhere to a policy of presenting the, "cold hard facts, to prove or disprove," of course led him to look for an explanation from experts in various fields. “Upon reviewing the video I sent a copy to multiple Engineers, Medial Doctors and other various professionals from technical industries, given the situation could not explain the footage presented. One Medical Doctor did mention the way the "eye" of the figure is reflecting should not react in that manner, if it was a living person. He said the way the human eye reacts to IR light is in two ways...the pupil and the cornea. The reflection of the "eye" of the figure is reacting in only one way ... the pupil, he said when the human body dies that the pupil becomes completely dilated... this is how the "eye" of the figure seems to be reflecting.”

________________________

You can visit A.P.R.A at http://www.apraparanormal.com/homepage.html or visit their You Tube channel to watch their new documentary series, A View From The Other Side http://www.youtube.com/user/apraparanormal

You can do your part to help support continued paranormal research on the historical Queen Mary by signing this petition, graciously spearheaded by Bob Davis, founder of Planet Paranormal Investigations

http://www.petitionspot.com/petitions/queenmary




Real Ghost Among Reel Ghosts?


My dear friend, Tess, who I've mentioned before, came across an interesting discovery while viewing The Innocents.

This is a marvelous film, and I like it all the more because during my second viewing, I noticed a Glowing Thing!

It's in the scene where Miss Giddens goes upstairs in a nightdress with her hair down, hearing spooky noises. Just after she comes past a square pillar with her candelabra, there's a loud echoing clatter. Then the camera angle changes to a long shot down a hallway, to an open area at the end. I don't know what it's called in architecture -- it's the area where a hallway or passage widens out into a sort of landing, with balustrades. And there is indirect light coming from off-camera on the right side.

Very quickly, on the right, there's a small white glowing area that moves and then disappears. If you slow it down and zoom way in, you will realize it's a human head, which glows whitely, catching the light that comes from off-camera. Some shadowy facial features are faintly visible, but only very faintly -- my guess is that it's a man from the development of the chin, but I can't really see anything else distinguishing.

The motion of the head is of someone bent slightly forward who straightens up, and then moves back out of sight. It's very creepy, in part because it looks so furtive and unintentional. In fact it reminds me of blurry film footage of "real ghosts" that you might see on a TV show about the supernatural, the kind of thing captured unintentionally while people are filming something else altogether.

Since it's so difficult to see this thing -- even to see that it is in fact a person's face -- without zooming in and slowing down, which of course one couldn't do in 1961, I wonder whether it was a crew member adjusting something on the set rather than an intentional ghostly actor.

Perhaps the filmmakers saw it later, but left it in because it added to the ghostliness. Or, maybe it really *was* intentional. But I'd be surprised if so -- it's just so small, and goes by so quickly, unless you view the scene with technological enhancement!

What would be the most fun is if it's neither an actor nor a crew member, and is apparently a Real Ghost™! Maybe I just started a rumor...

At any rate, it's a Glowing Thing and it's completely awesome.

After she told me this, I immediately got myself a copy of the film and watched Tess' Glowing Thing. There is something there.


Pay attention to the area slightly left to the center of the screen.


Screen shots from youshotandywarhol.

Tess is the proprietress of a magical store - please visit - http://www.midnight-muse.com/



The Spook House

About five years ago Mr. Blackwood and I sublet a little studio in a San Diego neighborhood so we could prep for Comic Con that year. I was delighted by our little section of the neighborhood which had row after row of lovely examples of Victorian-esque architecture. However, none were more compelling than the curious house on the corner.

It was another year before we learned the story behind what locals call "The Spook House."

Built in 1887 for Jesse Shepard, who described himself as "...a world famous, mystic, seer, inspirational musician, and authority on prophecies, visions and cosmic consciousness." Shepard supposedly had no musical training and could not read music. Yet, he was considered a master of improvisation and could reportedly , "...play any opera selected by the audience without music."

After traveling to Russia in the 1870's and becoming interested in spiritualism, he claimed to have been a silent co-founder of the Theosophical Society with Madame Blavatsky. It was then that he began his initial instructions in holding seances.

When Shepard took up residence in the house, named Villa Montezuma, he held fantastical seance performances in the house, summoning great composers like Chopin and Mozart and commanded them to play through him. He would then amaze the audience further by playing pieces and having other invisible, ghostly musicians play along, or to sing with a voice that sounded like an entire choir. Of course, the house has built into it all the tricks a performance medium of the era could want, complete with secret rooms and panels for the "ghostly" musicians to hide in.
These are rumors that San Diego's high society shunned Shepard, causing him to relocate to Europe and focus on his literary carer under the name Francis Grierson. He returned to San Diego in 1889 and arranged to play a final performance in The Villa Montezuma.Appropriately, Shepard's long-time companion and confidante, Lawrence Tonner, described this occasion.
It was Sunday evening... We had a number of people invited for a musical recital at our home — about thirty. A collection was to be taken up. Mr. Grierson had played a number of his marvelous instantaneous compositions on the piano and had given the company a talk on his experiences and impressions of France and Italy.

He turned to the instrument and announced that the next and last piece of the evening would be an Oriental improvisation, Egyptian in character.

The piece was long, and when it seemed to be finished he sat perfectly still as if resting after the ordeal of this tremendous composition. He often did that, but it lasted too long and I went up to him — he was gone!

His head was only slightly bent forward, as usual in playing, and his hands rested on the keys of the last chord he had touched.

There had not been the slightest warning. He had seemed in usual health...and he had been smiling and laughing with the company even a few moments before he passed away.

Jesse Shepard was dead at 79.

People now say a curse is laid upon the house and it's owners. It is no wonder after delving into the Villa Montezuma's history following the death of Shepard and beginning with his sale of the house to what would be the next owner, David Dare. Soon after purchasing the house, he was forced to flee town. His business partner apparently had committed suicide before he left town and Dare was accused of looting the firm. Dare sells the house for $30,000 to H. P. Palmerston who was unable to make the payments on it, and the house was foreclosed upon in 1893 and auctioned off for $18,000. The house then goes to Dr. George Calmus for the sum of $10,000. He goes bankrupt, and leaves town, deserting his wife and leaving her with two unpaid mortgages on the house.

Later, Villa Montezuma is taken full advantage of again by a Mrs. George Montgomery, who holds seances in the house. Then, incredibly, in the late 1940's a treasure seeker purchases the house, convinced there is buried treasure to be found within it's walls.

The last resident of the house is a married couple. He, an engineer and she, a retired silent film actress. The husband dies and the house falls into disrepair. His wife, so distraught by his death, begins standing on the street outside the house asking passers by where her husband is. She is even rumored to have occasionally carried a gun, threatening people in her attempts to find out where her husband is.

Of course, other odd tales are attached to the house. An unexplained fire burned the second floor in the mid 1980's. Passerby report hearing orchestral music at night, the ghost of a man who hung himself in a tower can be seen from outside, much to the wonderment of past gardeners nothing will grow on a certain portion of land near a corner of the house, and a six toed cat named Psyche has lived on the grounds for far longer than any regular cat's life span.

The house still stands, but sadly, the public is not allowed inside...for now. At the end of last year a good deal of money was allotted for renovations on the Villa Montezuma. Hopefully, the doors of this unusual house will reopen in the next few years.