Showing posts with label macabre. Show all posts
Showing posts with label macabre. Show all posts
Isn't It Necromantic?
Just before valentine’s day in 1887 a man named Karl Tanzer was born in Germany.
He grew up to be an avid organist and tinkerer, coming up with many strange and unique inventions. He eventually moved to florida, married a woman named Doris and they had two daughters together.
In 1927 the Tanzer family vacationed in Germany. While there, Karl claimed to have visions and dreams of a long dead ancestor, Countess Anna Von Cosel, who revealed to Tanzer his soul mate – a raven haired, exotic beauty.
When the family returned to Florida, Karl abandoned his wife and children and reinvented himself in Key West. He renamed himself count Karl Von Cosel and claimed to have nine university degrees. He was somehow able to land a job as an x-ray techinician, mainly assisting doctors with tuberculosis patients.
Two years later, twenty one year old Elena Hoyos comes in for treatment – she is dying from tuberculosis. Von Cosel immediately recognizes her as the woman from his visions and his one true love.
Von Cosel passes himself off as a physician to Elena and her family, promising he can cure her. Desperate for help, they consent to a battery of treatments prescribed and administered by Von Cosel – shock therapy, radiation and potions he has invented contianing flecks of gold...all the while he is lavishing her with gifts of clothing and jewelry and persistent proposals of marriage, which in turn, are refused by Elena.
Alas, despite all Von Cosel’s hopes and efforts, Elena dies just a few days before Halloween in 1931.
Elena is buried traditionally, in a simple plot - but the thought of his beloved rotting in her grave is a torture to Von Cosel. He pleads to her family, who then allow him to fund the construction of an elaborate masoleum. Elena’s body is exhumed, placed in a metal coffin equipped with a formaldehyde spraying device he has concocted to halt the decay of the corpse.
It is also outfitted with a telephone which Von Cosel uses to speak to Elena on his nightly visits to her.
In his diary Von Cosel writes:
“I am so happy I am back with you, my darling. Very soon the hour approaches when I will take you home with me."
This night comes in 1933, when Von Cosel arrives at the masoleum with a wingless airplane he has invented – basically, a tube mounted on top of a toy wagon – to take Elena home where he can be reunited with is love, forever. However, to his horror, his home made formaldehyde device had failed and elena’s body was quite decayed. He took her home anyway.
There, he reconnects her bones using piano wire and after placing some old rags into her chest cavity, he begins a full reconstruction - using pieces of silk and morticians wax. He fashions a wig for her made from the remains of her hair that he collected and dresses her in a wedding gown.
His original plan was an attempt at resurrection, by sending Elena, in the wingless airplane which he has now christened “The Countess Elaine,” into space, where a powerful dose of radiation from the sun - he thinks - will surely bring her back to life.
That doesn’t happen.
For the next seven years Von Cosel vexes his neighbors with nightly organ jams, offends the nostrils of anyone who comes near him and spends a great deal of time and money procuring oils and perfumes to mask the stench of rotting corpse.
Word finally makes its way back to Elena’s sister, Nana, who decides to investigate the rumors herself. Poor Nana, discovers what remains of her beautiful, young sister lying in a wedding gown in Von Cosel’s bed.
The police are notified. Elena’s body is seized and moved to a funeral home and put on display where, for the next 3 days, approximately six thousand people came to view her.
Von Cosel is arrested for “illegally exhuming a body.” He is examined by a team of doctors who somehow deem him sane enough to stand trial – however, the statute of limitations has passed and the charge is dropped. Von Cosel suffers no penalties whatsoever. Well, no legal ones anyway.
Meanwhile, Elena’s family has taken possession of her corpse. Some reports say her remains were cut into small pieces and placed in an 18 inch box. She is buried in a secret location that only two of her relatives know of.
In 1952 police are called to a home. There, they discover Von Cosel lying on the ground with a life size effigy of Elena, wearing her death mask that he had created before she was initially buried, in his embrace. Von Cosel is dead.
His diary is also found there – the last lines reading “….forever and ever, she is with me.”
Through The Weeping Glass
"No child ever imagines the unimaginable. That he will end up as a skeleton."
A romance of two worlds has emerged – the Mutter Museum, a medical museum which showcases medical oddities, and filmmakers, the Quay brothers – who, if you are not familiar with, I urge you to rectify this misfortune straightaway – have produced a new film, arguably a “documentary,” Through The Weeping Glass: On The Consolations Of Life Everlasting.
I had the immense pleasure of attending a screening of the film last night, hosted by David Wilson, the man/genius behind the Museum Of Jurassic Technology and the Quay’s themselves.
All three men discussed how their work influenced one another. The Quay’s were working with Michael Penn at the time on a music video for his song, Long Way Down (Look What The Cat Drug In), when one day Penn took the brothers to the Museum Of Jurassic Technology. As it is for most, it was a life altering visit. Wilson tells the story of how he was leading a double life of sorts – working in the entertainment industry and curating the museum – when he was invited by a friend to watch what was “probably bootleg VHS tapes,” of the Quay’s work. This single, influential event caused Wilson to undergo an epiphany, inspiring him to finally extricate himself from the film industry and devote himself entirely to a work that he was passionately compelled to do. Thank goodness for us he did.
Although American born identical twins Stephen and Timothy Quay, “fled” to Europe, citing the ominous commercial beast of Disney as a reason, where they have created all of their work until now. Weeping Glass marks their first film made in the US.
The film, only about thirty minutes, is quite like a private tour of the Mutter, seen through the Quay brother’s unique and distinctive point of view. As they do with their puppetry, the Quay’s ensoul the objects at the Mutter and allow them to tell their story - the skeleton of Harry Eastlack, who broke a bone in childhood, triggering fibrodysplasia ossificans progressiva – a disease that basically causes a secondary skeleton to grow in and around the first, the skulls of the Hyrtl Collection including this gentleman, “Giza Hermenyi. Reformist herdsman. At age 70 attempted suicide by cutting his throat. Wound not fatal because of ossified larynx. Lived until 80 without melancholy,” an exquisite “flap book” of human anatomy, and various medical instruments which even caused me to wince. One of them, used to extract gall stones through the penis, another, a 3 in 1 economy tool – a drill like end to enter through the birth canal to crush the skull of an infant/fetus and forceps on the other to extract it in order to save the mother’s life. I was so disturbed I am quite certain I have blocked out the third usage of this horrific tool.
We were also treated to a viewing of Edward Waisnis' companion piece, Behind the Scenes with the Quay Brothers . Their "accidental" manner of filming this piece, how they worked with museum staff, (who play all the "parts" in the film), and some of their beautiful lighting techniques are shown.
Through The Weeping Glass will be available on DVD shortly.
The Mutter Museum: http://www.collphyphil.org/site/mutter_museum.html
Museum of Jurassic Technology: http://www.mjt.org/
All photos are from Quay Brothers' work.
Dolores Hope - RIP - Repost: The Vile Vial
I am sad to learn of Dolores Hope's passing today, but have little doubt that in her 102 years here, she very much enjoyed herself and blessed many with her presence...including me. I am grateful. Here is a repost of a little memory I had of her:
http://merricatblackwood.blogspot.com/2010/01/vile-vial.html
Miss Blackwood's Neighborhood Tales - Update
I have a hard time leaving things alone and subjects I research and write about are no different. In my continuing research of the Hope Development School fire case I was able to locate a memorial marker, over a mass grave for the victims. It is located in a cemetery in Inglewood in an older, rarely visited section of the cemetery. I will visit them soon, with a flower for each of the girls.
To read the complete story: http://merricatblackwood.blogspot.com/2010/01/miss-blackwoods-neighborhood-tales.html
To read the complete story: http://merricatblackwood.blogspot.com/2010/01/miss-blackwoods-neighborhood-tales.html
Medicinal Cannibalism
Historic Houses Trust

Body of a woman in a print dress lying on the floor in front of a Singer treadle sewing machine. Probably late 1930s, early 1940s. Details unknown.
http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&recno=31297
The Triangle Shirtwaist Fire - March 25, 1911

On March 25th 1911, now a century ago, just one block north of Washington Square at the corner of Greene street and Waverly, Mrs. Lena Goldman was sweeping the sidewalk in front of her little restaurant – it would soon be time for the dinner rush.
Dr. Winterbottom, who lived nearby, looked out over the square to observe people running toward Washington place. Moments later with his medical bag in hand, he too joined the fray racing across the square.
Dominick Cardiane was pushing a wheelbarrow down Greene Street when he heard a sound like “a big puff” followed by the sound of breaking glass. The noises spook a horse, who rears up and proceeds to run down the street, the cart it was pulling bouncing wildly behind.
William Shepherd, a reporter for the United Press, was crossing over to Washington Place when he saw smoke pouring out of a window on the 8th floor of the Asch building. Shepherd was soon standing among many others on the street below.
They all saw what looked like a bundle of fabric from the garment factory come out of the window. “He’s trying to save the best cloth," remarked a man, thinking that the factory owners were tossing out their fabric in an attempt to save it.
Halfway down, the wind caught it and the bundle opened. It was not a bundle – it was a girl.
The Triangle Shirtwaist Factory, manufactured shirtwaists for ladies – located on the 8th and 9th floors of the Asch building the factory employed approximately 100 men who mainly filled supervisory positions and 500 women and young girls. The majority of the girls were immigrants. Pauline Newman, who came from Lithuania and worked at the factory stated, “It resembled a kindergarten: we were all youngsters. The day's work was supposed to end at six in the afternoon. But, during most of the year we youngsters worked overtime until 9 p.m. every night except Fridays and Saturdays. No, we did not get additional pay for overtime. I will never forget the sign which on Saturday afternoons was posted on the wall near the elevator stating -- "if you don't come in on Sunday you need not come in on Monday!"
They were the kind of employers who didn’t recognize anyone working for them as a human being. You were not allowed to sing. You were not allowed to talk to each other. They would sneak up behind you, and if you were found talking to your next colleague you were admonished. If you’d keep on, you’d be fired. If you went to the toilet, and you were there more than the forelady or foreman thought you should be, you were threatened to be laid off for a half a day, and sent home, and that meant, of course, no pay, you know? You were watched every minute of the day by the foreman, forelady."
The girls started work at 7:30 in the morning and were given a single half an hour for lunch. Another employee of the Triangle factory described their conditions as “unsanitary - that's the word that is generally used, but there ought to be a worse one used. Whenever we tear or damage any of the goods we sew on, or whenever it is found damaged after we are through with it, whether we have done it or not, we are charged for the piece and sometimes for a whole yard of the material.
At the beginning of every slow season, $2 is deducted from our salaries. We have never been able to find out what this is for.”
There was an area of the factory called “the children’s corner” which housed large cases that were were high and deep enough for the children to hide in, so that when a factory inspector came he found no violation of the child labor law, because he did not see any children at work, for they were all hidden in the cases and covered with shirt waists.
It had been a Saturday that day and most of the women and men employed at the Triangle Shirtwaist Factory had been kept working until just before 5 o’clock, by factory owners Max Blanck and Issac Harris. Just before quitting time, as the girls were gathering up their belongings to leave someone yelled “FIRE!”
Someone had carelessly discarded a still burning match or cigarette. With piles of fabric everywhere and completed shirtwaists hanging from lines just overhead, within a few short minutes the fire had turned into an inferno, flames and smoke pouring out of the 8th, 9th and 10th floors.
Since the building was considered fireproof there was only a single, flimsy fire escape, one working elevator and all the doors, which opened inward, were kept locked in an effort to prevent theft. All of the Triangle factory employees were subject to searches when they exited at the close of the work day.
The foreman and a number of the male employees did their best to douse the flames with the available water buckets, alas, it was to no avail.
A few were able to escape via the narrow stairwell. Some 200, including Blanck and Harris were able to get to safety by making their way up to the roof – a means of escape not widely known.
Heroic elevator operators were able to save some of the girls by making as many trips as they could before the elevator broke down. The picture of smoldering, terror stricken girls - crying, screaming, scratching would haunt them always.
When the elevator finally ceased operation a number of people tried to escape by sliding down the elevator cables but instead, fell to their deaths, while others simply jumped. Some 25 bodies were later recovered from the bottom of the elevator shaft – only two survived. It is believed that the dead bodies of their fellow co-workers cushioned their fall, allowing them to survive. On the final trip, elevator operator Joseph Zitto would later testify that he could hear the bodies falling, hitting the top of the car – then the blood and the coins from pockets and purses began to rain on them.
Outside, if you remember, was United Press reporter William Shepherd. It was through his eyes that most of the nation experienced the next eighteen minutes. Shepherd phoned in details while watching the horrific events unfold, while young Roy Howard telegraphed his story to the nation's newspapers.
Shepherd begins – “I saw every feature of the tragedy visible from outside the building. I learned a new sound--a more horrible sound than description can picture. It was the thud of a speeding, living body on a stone sidewalk.
I looked up-saw that there were scores of girls at the windows. The flames from the floor below were beating in their faces. There was a living picture in each window- screaming heads of girls waving their arms. We cried to them not to jump. We heard the siren of a fire engine in the distance. The other sirens sounded from several directions.”
However, when the fire trucks arrived their ladders only reached between the 6th and 7th floors and the water from the fire hoses not past the 7th floor.
They took out fire nets to catch the falling girls but their bodies only broke through the nets, crashing to the sidewalk.
Shepherd continues: “I looked up to see whether those above watched those who fell. I noticed that they did; they watched them every inch of the way down and probably heard the roaring thuds that we heard.
It seemed to me that the thuds were so loud that they might have been heard all over the city.
As I looked up I saw a love affair in the midst of all the horror. A young man helped a girl to the window sill. Then he held her out, deliberately away from the building and let her drop. He seemed cool and calculating. He held out a second girl the same way and let her drop. Then he held out a third girl who did not resist. They were as unresisting as if he were helping them onto a streetcar instead of into eternity. Undoubtedly he saw that a terrible death awaited them in the flames, and his was only a terrible chivalry.
Then came the love amid the flames. He brought another girl to the window. Those of us who were looking, saw her put her arms about him and kiss him. Then he held her out into space and dropped her. But quick as a flash he was on the window sill himself. I saw his face before they covered it. You could see in it that he was a real man. He had done his best.
We found out later that, in the room in which he stood, many girls were being burned to death by the flames and were screaming in an inferno of flame and heat. He chose the easiest way and was brave enough to even help the girl he loved to a quicker death, after she had given him a goodbye kiss. He leaped with an energy as if to arrive first in that mysterious land of eternity.
Up in the [ninth] floor girls were burning to death before our very eyes. They were jammed in the windows. No one was lucky enough to be able to jump, it seemed. But, one by one, the jams broke. Down came the bodies in a shower, burning, smoking-flaming bodies, with disheveled hair trailing upward. They had fought each other to die by jumping instead of by fire.”
Rescue efforts were happening all over –
Across the way at New York University’s Law School building several law students led by Charles Kremer and Elias Kanter tied two short ladders together so the factory workers could climb across to their building’s roof. Kremer went over to the 10th floor to look for survivors and found a single girl, her hair on fire, running toward him. He caught her in his arms where she fainted as he put out the fire with his hands. They were able to save some 150 men, women and girls that day. Shockingly, a number of law students reported witnessing men kicking, biting and beating the women and girls so they could escape to safety first.
Forewoman, Fannie Lansner was a calm presence, speaking both Yiddish and English to the girls who were huddled about her, all crying and screaming, Lansner guided some of them down the stairways and kept others waiting for the elevator Trip after trip the elevator made and Miss Lansner remained on the floor, and though several girls begged her to go with them down, Miss Lansner said she would be ‘all right,’ and told them to go out as quickly as possible. She would lose her life in the fire.
Dr. Ralph Fralick did want he could from the street, checking everyone he could after they struck the pavement, attempting to administer first aid or injections for pain when possible. He later told officials that he was not able to save anyone, but he felt he had helped a few young girls to pass with a bit less pain.
Three male cutters formed a human chain from the 8th floor window to an adjacent window next door. Some girls were able to cross over on the backs of the three men. But the men lost their balance and all three fell - to join the already growing number on the pavement.
Meanwhile, the girls kept jumping….
Five young women on the Greene street side embraced each other and jumped. Thay crashed right through the sidewalk and into the basement, their clothes and hair burning as they fell. Another group of girls grabbed onto an electric cable which could not hold them – it snapped and they all fell to the sidewalk below.
One girl jumped holding a fire bucket. Another one tossed her purse, her hat and then herself. Some jumped together, holding fast to one another, while others lept alone.
Broken, twisted bodies lay in heaps on the sidewalks and by now there were thousands of spectators behind the police lines unable to believe what they were witnessing.

The firemen were now able to enter the building with their hoses to extinguish the flames. The steel and concrete structure was undamaged -- for the Triangle Building itself did indeed prove to be fireproof. Firemen would later say that they found 19 bodies melted against the locked door. 25 were found huddled in death in the cloakroom trying to escape the flames, some with their hands covering their faces in death. Another group of girls was discovered in a small room and would not move to safety so in shock they were the rescuers had to beat them to safety.
As night began to fall, search lights were directed to the upper floors creating a chilling effect to the already grim sight. Using nets, the firemen lowered the bodies, out the window to the waiting police below. The nets were soon exhausted and blankets from the driver's seats the horses were used. The bodies were spread in a row on the east side of Greene Street, many of them in coffins. Only 65 coffins were available so the steamship, The Bronx, was sent to Blackwell's Island to bring down a supply of 200 additional coffins.
Throughout the night ambulances transported the dead bodies to Bellevue Morgue on 26th Street and to the adjoining pier on the East River.
A reporter from the new york times remarked – that the “remains of the dead, it is hardly possible to call them bodies because that would suggest something human, and there was nothing human about most of these, were being taken in a steady stream to the morgue for identification.
Police estimates of 200,000 people - family and friends as well as the curious entered the makeshift morgues to file past the coffins. Authorities were completely unprepared by the new horrors to come next – a growing number of victims loves ones became hysterical and suicidal and a makeshift hospital was created to attend to these poor people.
Unbelievable stories of anguish were shared by families – a mother identified her daughter by what remained of her hand stitched stocking; a girl was identified by a family ring burned into her flesh; a father who, after waiting in the line for five hours identified all three of his daughters and, grief stricken attempted suicide on the spot. A lady identified her fiancée by his ring. When she asked if a pocket watch had been found with his remains the watch was produced. When she opened it she gazed upon her very own portrait and became hysterical. Their engagement had taken place just the night before.
Then there was the nightmare for those who did survive - Rose Cohen having escaped the fire and made her way home said, "I couldn't stop crying for hours, for days. Afterwards, I used to dream I was falling from a window, screaming. I remember I would holler to my mother in the dark, waking everybody up, 'Mama! I just jumped out of a window!' Then I would start crying and I couldn't stop."
Isidore Wegodner escaped from the ninth floor, where he and his father had come to work four months earlier as sleeve setters. He was near an exit when he heard the first cry of fire and had no difficulties reaching the street. Unaware of the extent of the disaster, he had left his father behind. Only when he emerged into the body-littered street did he realize what was happening. The firemen stopped him when he tried to rush back into the building.
He raced home but his father was not there. He began to make his way back to the Asch building to find out where the morgue was located. He missed a train by seconds and stood on the platform breathing hard, watching another pull in on the opposite platform.
"I saw him come out of the train, my dear father who was a quiet man, a dignified man. He looked battered. His pants were torn and in places his flesh showed through. His hat was gone, his face was dirty and bloody. On top of it all he wore a fancy, clean jacket that someone had thrown around his shoulders because his shirt had been ripped off. He stood on the platform dazed and the people walked around him."
"I remember," says Isidore Wegodner, "how with my last strength I shouted to him, how I went tearing over the little bridge that connected the two platforms, how we fell into each other's arms and how the people stopped to look while sobbing he embraced me and kissed me."
An entire nation grieved over the 148 deaths, so easily preventable. Their collective outrage changed labor laws and to the adoption of fire safety measures. Many call it the day the New Deal was born.
The factory owners, Blanck and Harris were brought to trial and were found not guilty by a jury of their all male peers. They made some $60,000 off the tragedy. Some of the families rallied together and sued the pair, in the end they were compensated $75 a piece in exchange for their dear, loved ones.
Just two years later, Blanck was caught violating the fire codes – he had been locking the factory doors. He was fined $20.00.
The Asch Building is now The Brown Building and houses the science department at NYU – it is said to be haunted not only by the memories of that day but by the spirits of those who perished there.
People have frequently reported the smell of smoke lingering in the hallways as well as the odor of what can only be described as burning flesh. Doors which have just moments ago been locked are found unlocked. One wonders if spirits are trying to protect others from the horrific fate they suffered? Apparitions have been reported by some and out of the corner of people’s eyes they sometimes see something large fall past the windows. When they rush to the windows and look outward and downward, there is nothing there.
One story was related by a secretary who had worked in the building for a number of years. She had been working late one evening and as she walked out of the building she saw a young girl stagger past her, a dazed look on her face. The girl was dirty and her clothing seemed to be singed. The secretary called out to her but the girl turned the corner. Rounding the corner in an effort to help what she believed was an injured girl, the secretary found no one. The girl had vanished.
Rest in peace dear ones – you have not been forgotten, not even in the passing of a hundred years. Blessings on your way.
Of Dolls And Murder

The headline sums it up, really - "Heiress created perfect mini replicas of crime scenes." Frances Glessner Lee, a volunteer police officer with an honorary captain's rank, created 19 dollhouse rooms during the 1940's culled from real cases.

Corinne May Botz, "The Nutshell Studies"
Forensic report: On April 11, 1944, an aproned Robin Barnes is found dead in her kitchen, midcuisine. The gas jets on the stove are open, her rosy hue indicates carbon monoxide poisoning, and the doors to the kitchen are locked, barring escape for a murderer. But would a suicidal housewife take the time to bake a cake? And why is the ironing board tagged "50¢"? A beverage on the table and ice trays on the floor suggest that Mrs. Barnes could have had company.
- New York Times
Lee called her miniatures the Nutshell Studies of Unexplained Death, after a saying she had heard from detectives: "Convict the guilty, clear the innocent, and find the truth in a nutshell."
Of Dolls And Murder is a documentary that closely examines Lee's work and our fascination with murder.
http://www.ofdollsandmurder.com/
http://www.corinnebotz.com/Corinne_May_Botz/project_index.html
The Little Houses

The Cajun grave houses remain a cultural mystery. Relics from days when a community cared for their dead has been overshadowed by corporate care. Where once many little houses stood, sheltering the now long forgotten, there remain only three dating back to the early 1900's in Istre Cemetery in Louisiana.

There is doc about the houses, appropriately titled Little Houses. You can find a trailer for it on the website or check out a book that is a companion piece featuring the photographs used here by Gwen Aucoin.
Little Houses doc: http://www.thelittlehouses.com/
Grave House Legends book: http://gravehouselegends.com/
Gwen Aucoin, photographer: http://gwenaucoin.com/
Venice's House Of Horrors

If I said my bedtime prayers, I'd surely be thanking the Powers That Be for Kim Cooper, curator of all things incredible in Hell A. Listen to Kim tell a horrible tale of two old ladies, their menagerie and the poor, poor orphans on KVB.FM -
http://kvb.fm/podcasts.html
To sate that insatiable appetite for more stories like that, take a ride with Esotouric http://www.esotouric.com/
Silent, Secret Deeds

With their solemn, mournful gait, their melancholy litters, their bat-winged, black hats flapping, their black masks, their sunken eyelids like the visionless sockets of skeletons, their long, shroud-like draperies concealing alike figures and faces, their black stockings, ascetic rosaries, and leather purses at their girdles, in short their entire paraphernalia of death and disease as they go noiselessly through the busy streets, the spectators making way for them and standing aside with hat in hand as they pass.
James Jackson Jarves for The New York Times - February 8, 1880
As penance for their sins or to fulfill a vow, the mysteriously shrouded figures—who belonged to the Brethren of the Misericordia—carried the sick to hospitals, buried the dead. The society was so secret that members hid their identities even from each other.
Photograph by G. G. Hubbard, circa 1910
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